<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://weeklycantata.com/2026/10/17/the-recording-that-knocked-my-socks-off-cantata-162-for-trinity-20/</loc><news:news><news:publication><news:name>Weekly Cantata</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T12:46:44+00:00</news:publication_date><news:title>The Recording that Knocked My Socks off &#8211; Cantata 162 for Trinity 20</news:title><news:keywords>Bach Collegium Japan, Masaaki Suzuki, Toshio Shimada, Gottfried Reiche, corno da tirarsi, Rudolf Lutz, J.S. Bach Foundation, Olivier Picon, Robert Vanryne, Trinity 20, Bach Akademie Stuttgart, Hans-Christoph Rademann, Gaechinger Cantorey, Anneke Scott, Tobias Berndt, Patrick Grahl, Vision Bach, Parable of the Unworthy Wedding Guest, Simon Kick, Rijksmuseum, Marie Henriette Reinhold, Alain de Rudder, Gerlinde Sämann, Yumiko Kuriso, Yoshimichi Hamada, Annina Stahlberger, Catalina Bertucci, Andreas Helm</news:keywords></news:news></url></urlset>
