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In my effort to follow Bach’s compositions in the order in which he wrote them in 1724, I sometimes get a bit confused, because in 2017 the Sundays of the church year are exactly one week later than in 1724. Where it gets tricky is around the Feast days of St. John and the Visitation of Mary, which are always on the same date: June 24 and July 2 respectively.

See how the dates of 1724 compare to the dates of 2017 in this table here below, and you’ll understand my dilemma for today: in Bach’s time, if the feast of the Visitation fell on a Sunday, it would cancel out the theme and thus the cantata for that Sunday. That is why there is no cantata for Trinity 4 from 1724, and why Weekly Cantata will be on break next week.

Sunday/Feast day17242017Cantata
Trinity 1June 11June 1820: O Ewigkeit, du Donnerwort
Trinity 2June 18June 252: Ach Gott, vom Himmel sieh darein
St. John (Johannis)June 24June 247: Christ, unser Herr, zum Jordan kam
Trinity 3June 25(July 2)135: Ach Herr, mich armen Sünder
Visitation (Mariä Heimsuchung)July 2July 210: Meine Seele erhebt den Herren
Trinity 4July 2July 9(no cantata from 1724 because same day as Visitation)
Trinity 5July 9July 1693: Wer nur den lieben Gott lässt walten
Trinity 6July 16July 23(no cantata from 1724 because of Bach’s visit to Köthen)
Trinity 7July 23July 30107: Was willst du dich betrüben
Trinity 8July 30Aug 6178 Wo Gott der Herr nicht bei uns hält

So officially, I should present you only with the cantata for the feast of the Visitation today, but since we are listening in order of 1724, I give you some highlights of cantata 135 Ach Herr mich armen Sünder first. My favorite recording of this cantata is by Bach Collegium Japan with countertenor Pascal Bertin, tenor Gerd Türk and bass Peter Kooij.

The cantata is the last of the set of four I described in this post, and thus has the cantus firmus in the bass in the opening chorus, very well done by the basses of Bach Collegium Japan. Listen to this entire recording on Spotify.

While the boy sopranos have a bit more work in the opening chorus (as was the case the last two weeks), there is again no soprano aria in this cantata. The Leipzig congregations haven’s heard a soprano solo since Trinity Sunday.

But then, on July 2, 1724, they get to hear the cantata for the feast of the Visitation: cantata 10 Meine Seel erhebt den Herren. With a soprano aria directly after the opening chorus, and a virtuoso one too. It might be that a talented new student had enrolled in the school, or Bach was finally ready training one, or there is a talented boy visiting for the holiday.* There is a very nice live video of Ton Koopman performing this in the St. Thomas Church in Leipzig during the Bach Festival there in 2003, with Deborah York singing the soprano aria.

Wieneke Gorter, July 1, 2017, updated March 26, 2020.

*Read more about the possibility of musicians visiting for this feast day in my post from last year about the Visitation. Read more about the soprano problem in this post.