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18th Sunday after Trinity, Bachstiftung, BWV 96, J.S. Bach Foundation, Maurice Steger, Rudolf Lutz, Trinity 18
Maurice Steger. Photo by Marco Borggreve Sopranino recorder at left
On Sunday October 8, 1724, Bach introduced a new instrument to his Leipzig cantata audiences: the flauto piccolo, or sopranino recorder, in Cantata 96 Herr Christ, der einge Gottessohn. He did this to illustrate the word “Morgenstern” (Morning Star) in the text of the opening chorus, creating a constellation over the highest notes of the choir sopranos with the even higher notes of the recorder.
Thanks to a video by the J.S. Bach Foundation that was released to YouTube in 2018, you can now watch an excellent recorder player, Maurice Steger, in action on this instrument in this cantata.
Go to my blog post from 2017 (updated with the new recording and a few other things), to read why Bach needed a chorale with the word “Gottessohn” (son of God) for this cantata.
Wieneke Gorter, October 8, 2020