Tags
All of Bach, Christmas, Harnoncourt, J.S. Bach Foundation, music, Netherlands Bach Society, Nuria Rial, Seppi Kronwitter, Shuann Chai, Shunske Sato, Zsuzsi Tóth


Photo of Shunske Sato by Elvira Demerdzhy
During this first week of Advent, I often talk about Nuria Rial’s rendition of the soprano aria from Cantata 36 with the J.S. Bach Foundation. However, this year let’s put the spotlight on the violin part of that aria, and watch the incomparable Shunske Sato work his magic in this movement from Cantata 36 Schwingt freudig euch empor on All of Bach, with soprano Zsuzsi Tóth. Never did I enjoy a “da capo” this much. To read more about this cantata, the third one Bach wrote (or adapted) for the first Sunday of Advent, read my blog post from 2017 here.
That I had to think about Sato’s playing this week is no coincidence. Today I witnessed his amazing musicianship, sense of timing, and sense of humor in a terrific concert with equally talented pianist Shuann Chai here in Amsterdam. They played two Beethoven violin sonatas and it was such a treat that I can’t wait for their CD to come out in 2024 with all ten of the sonatas. Another reason I’m excited about their recording project is that Shuann will be playing on two original fortepianos from 1800 and 1820, respectively. Please read more about their endeavor here and please consider donating. They are currently at 64% of their funding so they can use all the help they can get.

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Wieneke Gorter, December 7, 2023.
About Weekly Cantata
I am a bilingual writer, publicist, choral singer, art and nature lover, foodie, happy wife, and blessed mother of two. I started this blog in 2016, inspired by my late mother’s love for Bach’s cantatas. After 23 years in the San Francisco Bay Area, I’m now back in the Netherlands.
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Terence said:
Hello
Cantata 36 is a cantata that has had wonderful interpretations on audio and video, including the one under discussion featuring Shunske Sato. I also like very much the violinist with Nuri Rial in Auch mit gedämpften schwachen, Stimmen under Rudolf Lutz at the Bach-Stiftung. For whatever reason, this aria is for me one of the great Bach creations. My favourite performance is the one under Georg Biller with the Thomanerchor, and the boy soloist Friedrich Praetorius, who brings something very special to the aria. I urge you to listen to it. The violinist is unnamed, but as in all performances, his contribution is as necessary to the aria as the singer. Showing my preferences, my next favourite is Nikolaus Harnoncourt’s Telefunken one with the Wiener Sangerknaben. Happy Advent, everyone. It’s a wonderful time for music.
Terence Ollerhead Canada
cantatasonmymind said:
Hi Terence! Thank you so much for commenting on my post and for suggesting I listen to Friedrich Praetorius’ interpretation of this aria. I just listened to it and it is indeed very special! I didn’t know this recording yet so thank you for introducing me to it. For other readers who would like to listen to it too, here is the Spotify link: https://open.spotify.com/track/4LJOGrJO3rqZ2RuZlXe1NM?si=gDP_tTY0R9eTNV1enkpisQ And yes I completely agree that the violinist with Nuria Rial is terrific too. Happy Advent to you too!
Terence Ollerhead said:
Hello
Sorry to take your time, but another of my advent necessities is Reger’s Fantasia op. 52, no. 2. There’s a wonderful youtube version from. your neck of the woods: Westerkerk in Amsterdam, played by Evan Bogerd. The fugue, which is one of my very favourite moments in all of music, begins at 1500. Terence