1723, 1724, 1726, Alex Potter, All of Bach, Amandine Beyer, BWV 170, BWV 9, Charles Daniels, J.S. Bach Foundation, J.S. Bach Stiftung, Julia Doyle, Leo van Doeselaar, Marc Hantaï, Netherlands Bach Society, Rudolf Lutz, Trinity 6
In my opinion, one of the absolute best background videos on AllofBach is the one in which countertenor Alex Potter explains the different layers of solo cantata 170 Vergnügte Ruh, beliebte Seelenlust from 1726. I remember how happy and impressed I was when I first found this video. So instead of offering you my own discussion, I suggest you watch Alex Potter’s here on YouTube.
Then watch the excellent and moving live performance of this cantata by Alex Potter with the Netherlands Bach Society here on YouTube.
A lot more information, including the German text with English translations, a list of all participating instrumentalists, the staff that made this beautiful document possible, and a short but insightful interview (in text only) with organist Leo van Doeselaar, can be found here on AllofBach.
Bach’s first two cycles in Leipzig didn’t include a cantata for this Sunday (the 6th after Trinity). My speculations for why this might have happened in 1723 are mentioned in this blog post. For 1724, it is very likely that Bach never wrote a cantata that year for this Sunday. Because later in his life, Bach most probably wrote Cantata 9 Es ist das Heil uns kommen her for this moment in the church year, in an effort to fill the gaps within his 1724/1725 chorale cantata cycle.
There’s a wonderful live performance of Cantata 9 on YouTube, by the J.S. Bach Foundation under direction of Rudolf Lutz. Watch it here. My favorite part of this cantata is the glorious duet Herr, du siehst statt guter Werke, beautifully sung by soprano Julia Doyle and alto Alex Potter. I love how well their voices and singing style match for this! This performance also features exquisite music-making by flutist Marc Hantaï, violinist Amandine Beyer, and tenor Charles Daniels.
Wieneke Gorter, July 17, 2020.