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The Nativity of Christ, by Federico Barocci, ca. 1590. Museo del Prado, Madrid, Spain.

Sometime in the first decade of this century, after I had already moved to the USA, my mother acquired Gardiner’s Christmas Cantatas CD from 2000 (Volume 15 of the Cantata Pilgrimage CD series). I remember that every time a Bach lover came to visit they were urged to listen to the soprano aria from this CD. Among my mother, her sisters, and my grandma, this CD became known as “the one with the dirty baby.” (or as they said in Dutch “die met het vieze kindje”). At some point my mother allegedly said to them that this particular recording should be played at her funeral. Listen a bit to that Gardiner recording of Cantata 151 Süsser Trost, mein Jesus kömmt with Gillian Keith, soprano, and Rachel Beckett, flute, here on YouTube. Just listen for a little bit, because a much better recording of this cantata is coming up in this post! When the time came (much sooner than anyone in the early 2000s could have thought) to plan my mother’s funeral, we were blessed with a live performance, not a recording, I personally didn’t remember the “dirty baby” story that vividly, and we opted for another aria instead (read more about that here).

I don’t remember ever hearing anything more from the CD with the dirty baby than this one aria, and I never ever realized it was from a cantata for the Third Day of Christmas. (Read here why I didn’t know any other cantatas for the Third Day of Christmas than the third cantata from the Christmas Oratorio.)

Swedish soprano Maria Keohane

Fast forward to last week, when I was researching new live video recordings for Cantata 110 for Christmas Day, and discovered that the Christmas concert by the Netherlands Bach Society from 2015 also featured this Cantata 151, and that Maria Keohane does an absolutely beautiful job singing that opening movement. I also enjoy all the other soloists. Watch this live recording here on YouTube. Soloists are Frank Theuns, flute; Maria Keohane, soprano; Alex Potter, alto; Charles Daniels, tenor; and Matthias Winckhler, bass. Interestingly, Maria Keohane has recorded this cantata on video with two other ensembles: Concerto Copenhagen and Ricercar Consort. Those other performances are good too, but I very much prefer the performance and the camera work on this one with the Netherlands Bach Society.

Find the text of Cantata 151 Süsser Trost, mein Jesus kömmt here, and the score here.

Wieneke Gorter, December 26, 2019.