Cantata 122 for the Sunday after Christmas Das neugeborne Kindelein. Part of the title page of the manuscript. The handwriting is by J.A. Kuhnau, one of Bach’s most important copyists.

Since I most recently wrote about Bach’s cantatas for Christmas Day (Cantata 110), and the Third Day of Christmas (Cantata 151) from 1725, I had thought it would be nice to write about the two cantatas Bach performed directly after that: Cantata 28 for the Sunday after Christmas 1725, and Cantata 16 for New Year’s Day 1726.

But I don’t like them. I was listening to them yesterday and today together with my adolescent daughter, who’s pretty well versed in Baroque composers, and she said: “the first one doesn’t even sound like Bach!” I agree with her. Or at least it doesn’t sound that inspired to me. I hope this doesn’t come as a shock to you, but sometimes I don’t like what Bach wrote.

So, for this Sunday after Christmas in 2019, I’m again playing Cantata 122 Das neugeborne Kindelein, which I’ve already discussed twice on this blog, most elaborately in 2017. You can find that post here.

Wieneke Gorter, December 28, 2019.