The reading for this Sunday, the 11th after Trinity, is the parable of the Pharisee and the Publican (or Tax Collector) from the Gospel of Luke. In the parable, these two men come into the temple to pray around the same time, but talk to God in very different ways. While the Pharisee puts on a fake show about how good he is, the tax collector is very humble, “wouldn’t even lift up his eyes to heaven” and asks for forgiveness.
“There’s something with this Sunday,” I wrote three years ago, and I still feel that way when I listen to the cantatas Bach wrote for this Sunday in 1723 and 1724.
In 1723, his first year in Leipzig, Bach performed two cantatas on this Sunday: Cantata 179 Siehe zu, daß deine Gottesfurcht kein Heuchelei sei (See that your fear of God is not hypocrisy) before the sermon, and his solo cantata for soprano Cantata 199 Mein Herze schwimmt in Blut (from his early years in Weimar) afterwards. Cantata 199 is only loosely related to the Gospel story, and was probably never written with this story in mind. Because of its multi-layered history and the many different recordings, I will discuss that composition some other time.
Cantata 179 focuses on the hypocrisy of the Pharisee, and just like cantatas 46 and 102 I discussed last week, it must have been one of Bach’s own favorites, because he re-used three movements in later works. Read all about it in my post from 2016, which I have updated with better images and new video links.
In 1724, Bach wrote cantata 113 Herr Jesu Christ, du höchstes Gut, which, surprise, surprise, focuses on the Publican asking for mercy. The only recording that does this cantata justice and gives me the good kind of stomachache is the one by Bach Collegium Japan. Peter Kooij’s and Robin Blaze’s singing is outstanding, and Yukari Nonoshita and Robin Blaze make the duet into a lovely piece of music, which is–judging from a lot of other recordings–not an easy thing to do. I updated my blog post from 2017 with all the correct links to stream or purchase this recording. Please find it here.
Wieneke Gorter, August 22, 2020.