19th Sunday after Trinity, Bachstiftung, BWV 48, BWV 5, Capella Brancacci, Eva Borhi, Florence, Italy, J.S. Bach Foundation, J.S. Bach Stiftung, Jan Börner, Manuel Walser, Mirjam Berli, Patrick Henrichs, Philippe Herreweghe, Raphael Höhn, Rudolf Lutz, Santa Maria del Carmine, Trinity 19
At the end of a two-week trip to Italy in the summer of 2018 (my family’s first visit to that country), we would have only one afternoon and night in Florence. After booking our hotel in a neighborhood a good friend had recommended, I saw on Google maps that the hotel was around the corner from a church called Santa Maria del Carmine.
The name rang a bell, but I didn’t immediately realize why. Then I started searching my blog, and yes: there it was, the fresco of The Healing of the Cripple, from the Brancacci Chapel in that church, in my blog post from 2016 about Cantata 48. After seeing a lot of art in other cities in Italy and with a big train trip ahead of us, we decided to have this be the only art we would go see in Florence, and save the rest for another trip. It was a good decision, because this way I could really let it sink in that I was seeing these frescos in real life, and this way we had some time left to eat ice cream, rest, see the sun set over the city, and enjoy a good meal.
In my blog post from 2016, I recommended Herreweghe’s recording of Cantata 48 Ich elender Mensch. (from 1723), and I still stand by that choice. Find all the links to the recording, a comparison with the St. Matthew Passion, and my explanation of the silver lining in the opening chorus here.
One year later, in 2017, I wrote about Cantata 5, Wo soll ich fliehen hin? which Bach wrote for this same 19th Sunday after Trinity, in 1724. Since then, I have a new favorite recording of this cantata: the excellent 2018 performance by the J.S. Bach Foundation that was released to YouTube in April 2019. You can find that video here. Soloists are: Soprano: Mirjam Berli; Alto: Jan Börner; Tenor: Raphael Höhn; Bass: Manuel Walser; Violin: Eva Borhi; Tromba da tirarsi: Patrick Henrichs.
Find the German text with English translation of Cantata 5 here, and the score here.
For a list of the bass arias with trumpet the Leipzig congregations would have heard between June 1723 (when Bach started working in Leipzig) and October 1724 (when he wrote Cantata 5), including links for listening, read my blog post from 2017 here.
Wieneke Gorter, October 17, 2020